Trem Das Onze Partitura Pdf Freel ((LINK))
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Trem Das Onze: A Classic Brazilian Samba Song
Trem Das Onze (The 11 o'clock Train) is a famous samba song composed by Adoniran Barbosa and recorded by DemÃnios da Garoa in 1964. It tells the story of a man who has to leave his lover early to catch the last train home, because his mother won't let him stay out late. The song is considered one of the most representative cultural symbols of SÃo Paulo, the city where Barbosa was born and where the song is set.
The song has a catchy melody and humorous lyrics that reflect the everyday life and slang of the working-class people of SÃo Paulo. It also features a chorus that repeats the phrase \"nÃo posso ficar\" (I can't stay), which expresses the dilemma and frustration of the narrator. The song has been covered by many artists, such as Elis Regina, Zeca Pagodinho, Caetano Veloso, and Gal Costa.
If you want to learn how to play Trem Das Onze on your instrument, you can download a free sheet music PDF from [^1^]. The sheet music includes the melody, chords, and lyrics of the song. You can also listen to the original version by DemÃnios da Garoa on YouTube or Spotify.Samba: A Rich and Diverse Musical Genre
Samba is not just one style of music, but a whole family of genres that share some common elements, such as the distinctive samba rhythm, the use of percussion instruments, and the influence of African culture. Samba originated in Brazil, especially in the regions of Rio de Janeiro and Bahia, where many enslaved Africans were brought by the Portuguese colonizers. Samba music reflects the history, diversity, and creativity of the Brazilian people.
The earliest form of samba was the samba de roda, a rural tradition that involved singing, dancing, and clapping in a circle. Samba de roda was recognized by UNESCO as an intangible cultural heritage of humanity in 2005[^4^]. Samba de roda influenced the urban samba that emerged in Rio de Janeiro in the early 20th century, when migrants from Bahia settled in the slums and brought their musical traditions with them. The urban samba was also influenced by other musical genres, such as choro, maxixe, lundu, and European marches and polkas.
The urban samba became popularized by radio broadcasts and recordings in the 1930s and 1940s, when composers such as Noel Rosa, Ary Barroso, Dorival Caymmi, and Ataulfo Alves wrote memorable songs that celebrated the Brazilian identity and culture. The urban samba also developed into different sub-genres, such as samba-canÃÃo (a romantic and sentimental style), samba-choro (a fusion with choro), samba-jazz (a fusion with jazz), samba de breque (a style that featured spoken interjections), samba de enredo (a style composed for the carnival parades), samba de exaltaÃÃo (a patriotic and optimistic style), samba de partido-alto (a style based on improvisation), and samba de terreiro (a style performed by the samba schools).
In the late 1950s and early 1960s, a new musical movement emerged from the urban samba: bossa nova. Bossa nova was a sophisticated and innovative style that combined samba rhythms with jazz harmonies and cool vocals. Bossa nova composers such as Antonio Carlos Jobim, JoÃo Gilberto, Vinicius de Moraes, and Carlos Lyra created songs that became classics of Brazilian music and were also appreciated internationally. Bossa nova influenced many other musicians around the world, such as Frank Sinatra, Stan Getz, Astrud Gilberto, Sergio Mendes, and Herb Alpert.
In the 1970s and 1980s, samba music continued to evolve and diversify, incorporating elements from other musical genres such as rock, funk, soul, reggae, pop, and rap. Some of the artists who contributed to this renewal of samba were Jorge Ben Jor, Gilberto Gil, Caetano Veloso, Chico Buarque, Martinho da Vila, Clara Nunes, Beth Carvalho, Alcione, Paulinho da Viola, Zeca Pagodinho, Fundo de Quintal, Leci BrandÃo, Elza Soares, and Tim Maia. In Bahia, a new style of samba emerged: samba-reggae. Samba-reggae was a fusion of samba rhythms with Jamaican reggae beats and Afro-Brazilian percussion. Samba-reggae was popularized by groups such as Olodum, Ilê Aiyê , Timbalada , and Daniela Mercury.
In the late 1980s and early 1990s , another sub-genre of samba gained prominence: pagode. Pagode was a style that originated in the suburbs of Rio de Janeiro and SÃo Paulo , where groups of friends gathered to play samba songs with simple instruments such as cavaquinho , banjo , pandeiro , tamborim , and tan-tan . Pagode songs were often humorous , romantic , or social , and featured catchy choruses and refrains . Pagode artists such as Zeca Pagodinho , Grupo Fundo de Quintal , Sà Pra Contrariar , Exaltasamba , RaÃa Negra , Art Popular , Katinguelê , Negritude Júnior , Os Travessos , Molejo , Soweto , Pixote , RevelaÃÃo , Sorriso Maroto , Turma do Pagode , among others , sold aa16f39245